The dancing miniskirted figure is a superb example of the loose, evocative illustrative style that made Eula highly sought after by fashion and theatrical clients alike during New York's go-go 1960s and 70s. This dance-til-dawn event was a production of the Cercle d'Or Club, run by Olivier Coquelin, the high-octane Frenchman who single-handedly created the city's discotheque scene in those years.